Rose Hilton, née Phipps, was born at Leigh, near Tonbridge in Kent. She was the middle of seven children and her parents were devout Plymouth Brethren, one of the most extreme of the Protestant sects. Her artistic talents were recognised from an early age, but the only outlet for such creativity as far as her parents were concerned could be through teaching others, or as a hobby. Eager to escape the restrictions of home, Rose first persuaded her parents to allow her to study at the Beckenham School of Art from where, in 1953, she won a scholarship to the Royal College of Art in London where her tutors included Carel Weight (1908-1997).
After a serious bout of tuberculosis which forced her retreat to a sanatorium for a year, Rose returned to the Royal College in 1955 and went from strength to strength, winning the Life Drawing and Painting Prize as well as the Abbey Minor scholarship to Rome in 1958, where she spent a year. On her return she met and fell in love with the artist Roger Hilton. The couple married in 1965 and set up home together in a house on Botallack Moor, St Just, where they lived until Roger’s early death in 1975.
Much of Rose’s time during the period was taken up with family concerns and her painting took second place as a result, but she is keen to stress that it was a case of voluntary neglect. During this period she learned a great deal from her husband’s artistic philosophy, painted sporadically, and developed an interest in Ingres and the work of the modern French School, particularly the intense colour used by Bonnard, Dufy, and Matisse.
At the recent retrospective held at Tate St Ives in January-May 2008, the paintings were chosen to reflect the increasingly abstract nature of Rose’s work, though she rarely abandons figuration entirely. Though best known for her sensual nudes and lusciously coloured interiors, there were also a surprising number of landscapes on display, in which the leap towards abstraction is perhaps most apparent.
Rose has steadily built a reputation as a major St Ives artist and has been represented exclusively by Messum’s since 1989.
2011 Solo show at Messum's
2009 Solo show at Messum's
2008 Tate St Ives: ‘The Beauty of Ordinary Things’, a Selected Retrospective 1950-2007
2002 North Light Gallery, Huddersfield, solo show
‘Painters and Sculptors of the South West’, Messum’s
2001 ‘Twelve New Paintings’, Messum’s
2000 Solo show at Messum’s
1998 Solo show at Messum’s
1997 Solo show at Messum’s
1995 Solo show at Messum’s
1994 ‘Three Painters of Penwith’, Messum’s
1993 Solo show at Messum’s
1991 Solo show at Messum’s
1989 Joined David Messum Fine Art Ltd.
1988 Oxford Gallery
1987 Newlyn Art Gallery
1978 Plymouth Art Gallery
1977 First Solo Show at the Newlyn Gallery
1961 Regular showings with Penwith and Newlyn Society of Artists
1959 Contemporary Women Painters
1956 Young Contemporaries
Susan Daniel-McElroy, Rose Hilton: The Beauty of Ordinary Things, London: Tate Publishing, 2008
Andrew Lambirth, Rose Hilton: Something to Keep the Balance, London: Lund Humphries, 2009
Plymouth Museum and Art Gallery
The Nuffield Collection
Cornwall County Council: Truro Art Gallery
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Quality shines from Rose's rarely-seen works on paper
Western Morning News
19th November 2011
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